ctrl domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /www/douwesfineart_172/public/wp-includes/functions.php on line 6121Etching: 194 x 128 mm
watermark: possibly small cup.
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Notes
In the foreground we see two studies of the same young man: standing and sitting. In the background of a typical Dutch kitchen with an open fireplace, very lightly etched, we see a woman teaching a child to walk with the aid of a baby walker.
This print can be seen as a metaphorical exhortation to ‘keep trying’: the child must learn to walk and the artist must practise constantly to master his art.
It is very rare to have two independent different subjects, except in study-sheets. In 1646, Rembrandt executed three studies of young males only wearing a loin cloth (White-Boon 193/194/196).
It could well be that the part with woman and child were in fact Geertje Dircks and his than 1,5 years old son Titus at home, etched as early as 1643. A few years later the study of two young boys could have been added onto this very plate.
Provenance
Literature
Bartsch 194; Hind 222;
‘The New Hollstein, 2013, no. 233, fifth state (of VIII) , possibly by Claude-Henri Watelet, before the horizontals added to the lower part of the mount above the lower part of his outstretched leg; with vertical lines added to the blank patch on the seated model’s right shoulder.
Plate in existence – with Nowell-Usticke (1967): C1
Condition
A well balanced and delicate early 18th century impression, complete with good margins